The call sheet was fairly simple as we all had our own numbers and Sarah just emailed the boys that we didn't have for their numbers.
CALL SHEET
The production schedule was a lot harder to do as we have quite a few people to organise on 3 different sets, with different shots some of which include more than one set. It was important to organise the timings well for the boys so that they don't have to hang around when we don't actually need them. Layla wrote it down and worked out the wide shots we will do and so which characters we would need at the same time, and she got the schedule from doing that.
PRODUCTION SCHEDULE
While she was doing this I found the details of Stereo Totals record company and sent them an email asking for copyright permission to use the song, i also asked if they knew how i could get hold of the music for the songs so that our band members might be able to learn to actually play the song. i'm not really expecting a reply from them but it was worth a try.
Sarah and I also went up to speak to a guy about our music as we were still having an issue with it as its not available on English iTunes. Someone did download it off a YouTube converter but when we put that onto Final Cut Pro its didn't like it and made it sound very trippy. We talked about getting it on American iTunes but a girl from another group told us how they did that and it didn't work, so we kept thinking. I found a site to buy a vynal version but the media guys said this would be pointless as we would then have to have a record player, and then we would need something to convert it onto the computer. Luckily one the guy we were talking to said he would do some fidling with our downloaded version, so he took it off Final Cut Pro and put it onto another music application where it worked and managed to save it like that and get it back onto Final Cut Pro so it sounds right, so thats our music sorted out which was becoming a big worry.
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